Metalware - Silver Hallmarks

Four marks are usually stamped on silver: the "hall" (or town) mark, the maker’s mark, the "annual" (or date) and the "standard" (or sterling quality) mark.

The most important hall marks are:

Anchor Birmingham
Britannia London from1716 to 1719
Castle over a lion (passant) Norwich
Crown Sheffield
Crown upside down Sheffield between 1815 and 1819
Crowned harp Dublin
Half leopard’s head, half fleur-de-lys York from 1562 to 1631
Half rose crowned, half fleur-de-lys York from 1632 to 1698
Cross with five lions York from 1700
Leopard’s head crowned: London from 1558 to 1706 and 1719 to 1836
Leopard’s head uncrowned London from 1836 to present
Three separate castle towers Newcastle
Three-towered castle Edinburgh or Exeter from the 18th century
Three wheatsheaves and a sword Chester
Tree fish and bell Glasgow
X (sometimes crowned) Exeter before the 18th century

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Metalware - Silver - Georg Jensen

Georg Jensen "Acorn" pattern silver ice tongs The Danish silversmith Georg Jensen is widely regarded as having produced some of the most outstanding silver works of the 20th century. Jensen was a sculptor who began working in silver in 1904. His minimal use of decoration followed the Scandinavian tradition but was a great contrast to the extravagant decoration of the dominant English styles of the late 19th century.

His most famous works employ grape and magnolia motifs. Many regard Georg Jensen’s cutlery, particularly that employing acorn and art nouveau motifs, as the best ever produced.

Jensen’s work sold well in Denmark from the beginning but his International fame followed the 1915 San Francisco World Fair at which William Randolph Hearst purchased the entire Georg Jensen silver exhibit.

Georg Jensen himself stopped designing silver wares in 1935 but his factory continues to produce high quality pieces which rely on form, rather than decoration, for their appeal.
 

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Metalware - Australian Silver

The rapid increase in population and wealth during the Australian Gold Rush in the early 1850s created the conditions for the production of the first significant Australian silver pieces. Fashionable jewellers were unable to keep up with the demand pieces with imports from England taking up to a year to reach them.

Silversmith like Ernest Leviny, Christian Ludwig Quist, William Edwards, Julius Schombergk and William Edwards produced pieces inspired by the unique Australian flora and fauna, such as tree ferns, kangaroos and emus. Their most unique contribution was the silver-mounted emu egg. The first of these appeared in about 1857 and by 1860 they were quite common.
 

Emu egg in silver mounting

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Metalware - Silver - Trays, Platters & Salvers

English silver salver (1780) Very few silver salvers survive from before about 1660. Most early salvers were round, with square ones being produced between about 1720 an d 1740.

Silver trays, essentially salvers with handles, were not produced until late in the 18th century. They were usually oblong or oval.

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Metalware - Silver - Drinking Vessels

Silver beakers were made in England from the 15th century until late in the 18th century. Silver tumblers are small beakers which were made from about 1660 to the end of the 18th century. These were made by hammering a single sheet of silver, leaving most of the weight in base. If they were knocked over, they would tumble back upright - hence the name.

Silver mugs were made from about 1680. The early mugs were bulbous in shape, like pottery mugs. 17th century mugs were often engraved but 18th century mugs were usually plain. In the 19the century, silver mugs were usually only produced for christening presents and were very ornate.

Englsh silver tankard (1780)

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Metalware - Silver - Tea Pots, Coffee Pots & Chocolate Pots

English silver coffee pot (1746) Tea, coffee and chocolate became popular in England in the first half the 18th century. The earliest silver teapots, before about 1730, were pear-shaped. "Bullet-shaped" (almost spherical) teapots were popular from 1730 to about 1750 when the first English porcelain teapots became available. Silver teapots were rarely produced from that date until about 1770, when drum shaped, and later oval, teapots became popular. These remained popular until the 19th century when most teapots were rectangular.

Coffee and chocolate pots are taller than teapots to keep the spout above the sediment. Chocolate pots have have a hinged or detachable cap in the lid for a stirring rod. The earliest coffee and chocolate pots, before about 1730, were tapered cylinders with the handle at the side (rather than opposite the spout). Later in the 18th century, they were made in a more curved "baluster" shape. Around the turn of the 19th century, vase shaped pots were made but most manufacturers soon reverted to the baluster shape.
 

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Metalware - Silver - Spoons, Knives & Forks

Spoons, knives and forks are known collectively as "flatware". The name comes from the Middle Ages when table implements consisted of knives and spatula-like implements, called presentoirs, used for presenting portions of food to guests. Unlike spoons and forks, both these types of implement actually were flat. ("Cutlery" refers to all types of cutting implements, originally including swords, razors and cutting tools.)

Silver spoons became common in Europe late in the 16th century. Early spoons have fig-shaped bowls. The most common finials (end of the spoon) were apostles or "seals", which at first were hexagonal, then oval and finally round before they died out altogether in the 1660s.

From the 1670s, spoons began to be made in different sizes for teaspoons, dessert spoons and table spoons and with long handles for serving spoons.

German silver apostle spoon (late 17th century)

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Metalware - Silver

Silver was rare in the Middle Ages in Europe, being restricted mainly to items for Church use. However, the Spanish conquest of South America brought large quantities of silver to Europe from about 1550. Silver coins, spoons and silver-edged wooden drinking vessels quickly became common. By the early 1600s, not only table silver but sliver-mounted furniture and silver lighting fixtures became common. In the 19th century, silver became restricted to use for tableware, including candlesticks and other table decorations.

The Chinese were reluctant to disturb the Earth’s spirits by mining and removing precious metals but used silver and gold when they were available through trade with the West. This occurred during the Tang dynasty and continuously from about 1600. The Chinese used silver for cups, bowls and dishes.

During the English Civil War, huge amounts of silver were melted down for bullion.  Moreover, the Puritans melted down a great deal of Church silver because they disapproved of such ostentatious displays. When Charles 11 returned to the throne from exile in France, he brought with him the Baroque taste for luxury and display. The new aristocracy bought so much silverware that there was a serious shortage of bullion for coinage. 

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Metalware - Pewter Touches

Because pewter contains lead, which is poisonous, the composition of pewter must be controlled so that it does not harm its users. For this reason, pewterware has had marks, called "touches", from as early as the Middle Ages.

The first mention of marks indicating the quality of pewter in England dates from 1474.The oldest marks contain the initials and heraldic device of the locality and/or the coat of arms of the town plus the year the pewterer "opened shop" (not the year of manufacture). A separate mark containing the name of the town was sometimes used.

In 1564, the Tudor rosette was used for the first time on pewter. It came to be regarded, even on pewter made outside England, as an indication that the highest quality metals had been used. From 1694 to the 18th century, items of exceptionally high quality were also marked with an X.

In addition to these marks, from 1635 to the beginning of the 18th century, smaller hallmarks in sets of four, similar to silver hallmarks, were used.

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Metalware - Tin, Pewter & Britannia Metal

Tin has been found in the tombs of ancient Egyptians and was exported in large quantities from Cornwall to ancient Rome. The ancient Egyptians thought that tin and lead were different forms of the same metal.

Lead usually occurs as the mineral galena, which also contains small amounts of silver. The ancient Romans mined galena for the silver, resulting in a superabundance of lead. They used this lead for roofs, coffins, water cisterns and plumbing.

English pewter tankard (about 1800)

Lead was used in the Middle Ages for architectural decoration and, particularly in England, in roofing and rainwater guttering. In the 17th and 18th centuries, lead garden statues were popular.

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Metalware - Iron & Steel

In Europe in the Middle Ages, blacksmiths produced wrought iron (that is, iron which was hammered into shape when hot) weapons, tools and fittings for the dors of castles and cathedrals. Wrought iron railings ("iron lace") became popular in the 17th and 18th centuries and, in the mid-19th century, wrought iron furniture became popular in England. Victorian cast iron hall stand (1860)

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Metalware - Copper, Bronze & Brass

The working of copper began about 10,000 BC with the beating of small nuggets of copper, picked up from the ground, into use and decorative objects. Around 3,500 BC the process of producing copper from ores by smelting (initially in pottery kilns) was discovered and resulted in a great increase in the amount of copper available.

Copper is easy to hammer into shape but difficult to cast. As a result, it is most commonly used in sheet form with seamed joints where necessary. Because it is a excellent conductor of heat, the most common copper items were hearthware, such as kettles and wort pans (used for brewing).

Chinese bronze mirror (2nd or 3rd century AD)

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