Oriental - Japanese Painting & Prints

Civil wars were fought in Japan between rival shoguns for much of the time between 1333 and 1573. The samurai, a caste of professional warriors, became extremely influential throughout this period in all aspects of Japanese life including the arts. The samurai were attracted to the self-discipline and self-reliance emphasised by Zen Buddhism which they adopted from China. The arts which were associated with Zen in China also swept Japan. Sculpture lost importance and painting using the bold brush stokes of the Chine Sung masters became popular..

From 1573, a succession o dictators imposed peace on Japan.. They built grand palaces, partly as fortresses and partly as symbols of their power. These palaces were decorated by large screens decorated with gold leaf and colourful paintings..

Print by Hokusai ("Red Fuji")

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Oriental - Japanese Netsuke

For about 300 years up to the early 20th century, Japanese men’s dress included a small box or pouch, called an inro, fastened to sash around his kimono by a toggle, called a netsuke.

The inro was originally a box to hold a seal. It was later divided into two compartments to hold ink as well. Around the early 17th century, they were divided again into as many as five or six compartments and were used to contain medicines and ointments. Inro were made in a wide variety of materials, including lacquer, ivory, wood, bone, porcelain and metal.

Lacquer inro and netsuke

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Oriental - Japanese Cloisonne

Cloisonné is produced by drawing a pattern on a base object, such as a vase, which is usually copper. Thin wires are fused or glued over the lines of the drawing and the spaces between the wires are filled with enamel. Cloisonné has been produced in France for about 1,000 years but Japanese cloisonné is the most highly regarded.

Although cloisonné is known to have been made in Japan in about 1600, the art was lost by the 19th century. In 1850, Kaji Tsunekichi determined to rediscover the technique by breaking apart and analysing a piece of Chinese cloisonné. He produced his first saleable pieces in 1838.

Cloisonne vase (1920)

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Oriental - Japanese Furniture

Partly because the frequency of earthquakes precluded the use heavy construction methods, traditional Japanese buildings, and the furniture in them, are light. The Japanese sat and slept on the floor and, so, had no chairs or beds in the Western style.

They used low tables for writing and most often stored their goods on open shelves or, in the case of kimonos, towels and swords, on racks. Unlike the Chinese who always made symmetrical shelves and placed furniture in pairs, Japanese shelves are usually asymmetric and items are admired for their uniqueness.

The one common piece of Japanese furniture is the tansu - a cabinet for designed for a man’s wardrobe. It usually includes a large space for robes, four large drawers for other items of clothing, such as sashes, and small drawers for accessories like inro (pouches) and netsuke.

The same style of furniture and furnishing was used at all levels of Japanese society; the difference being in the quality of materials (timber of lacquer) used and the workmanship.

 
Merchan's tansu
 Sendai tansu (wedding chest)

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Oriental - Japanese Ceramics

Pottery has been made in Japan since Neolithic times (from before 4,500 B.C.). Early wares employed techniques and styles imported from China, Korea an even as far away as Vietnam. A favoured technique was to cord or woven material onto pots while still soft, giving a ribbed effect. Japanese Jomon period cord pattern wares were among the most accomplished ceramics being made anywhere in the world at the time.

During the Yayoi period, from the third century BC to the third century AD, Japanese potters were using the potter’s wheel to produce a range of objects, including vases and bottles. Many of these objects display horizontal zoning or geometric patters but they were not yet glazed.

 

During the Tumulus period (from the 5th to the 7th centuries A.D.) potters from Korea introduced grey stoneware with a celadon glaze, known as Sue ware. 

During the Chinese Tang dynasty (from 618 to 906 AD), Japan maintained friendly relations with China whose achievements Japan much admired. As a result, Japan attempted to emulate China in many ways. One of these was the adoption of Buddhism; another was the creation of a national capital at Nara modelled on the Chinese capital of Xian; and another was importation and copying of Chinese artefacts.

Japanese teaware

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Oriental - Japan - History

Early Period (to 897 AD)

A neolithic culture (called Jomon) existed in Japan as early as 3000 B.C. From about the first century A.D., the Japanese were producing replicas of objects from many parts of Asia, including replicas of bronze mirrors from China, grey pottery (called sue) from Korea and bell-shaped bronzes (called dotaku) from Annam (now Vietnam).

One specifically Japanese object was the haniwa - a sculpted pottery tube, the upper part of which was usually modelled in the form of a person or horse. These were placed around burial mounds.

Early in the Asoka period, in 552 A.D., Buddhism arrived in Japan from Korea. The Japanese imitated the Chinese Buddhist style, but with greater gentleness and restraint.

At the beginning of the Nara period (645 A.D.) the influence of the Chinese Tang Dynasty reached Japan. Until about 900 A.D., the Japanese followed the Chinese model in sculpture, painting, architecture, literature and even etiquette.

 

Fujiwara Period ((897 - 1195 AD)

Relations between Japan and China began to deteriorate during the late 9th century. By the end of the century all contact had ceased.

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Memorabilia - Japanese Tin Toys

Immediately after the Second World War, Japanese toy makers began to manufacture battery powered tin plate toys. American and European toy makers had used batteries to operate lights, buzzers and horns but it was the Japanese who replaced clockwork and friction mechanism with electric motors to power toy vehicles and automata. These toys were made for export and were usually sold under the international distributors’ brands, such as Ideal, Max and Hubby. The heyday of Japanese tin toys lasted from 1945 to about 1965. 1950s Japanjese battery-operated robot

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